Published April 11, 2014
| Version v1
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LOS CUERPOS DE LA VIOLENCIA Y SU REPRESENTACIÓN EN EL ARTE
Description
The reality of the body nowadays indicates the emergency of social symptoms and pathologies that contaminate practices of thinking and of art. Art has been permeated by an allegorical and sacrificial register, but also documental. Before these visual configurations I keep asking myself: how has a practice like the scenic, that has paid tribute to the body for centuries, been contaminated? How does the scenic art dialogue with this state of the body? How has the theatrical practice been contaminated with this rupture and dissolution of the body?
Translated Descriptions
⚠️
This is an automatic machine translation with an accuracy of 90-95%
Translated Description (Arabic)
يشير واقع الجسم في الوقت الحاضر إلى حالة الطوارئ من الأعراض الاجتماعية والأمراض التي تلوث ممارسات التفكير والفن. وقد تغلغل الفن من خلال سجل استعاري وتضحيوي، ولكن أيضًا وثائقي. قبل هذه التكوينات البصرية، ما زلت أسأل نفسي: كيف تلوثت ممارسة مثل المناظر الطبيعية الخلابة، التي أشادت بالجسم لعدة قرون ؟ كيف يتحاور الفن ذو المناظر الخلابة مع هذه الحالة من الجسم ؟ كيف تلوثت الممارسة المسرحية بهذا التمزق وانحلال الجسم ؟Translated Description (English)
The reality of the body nowadays indicates the emergency of social symptoms and pathologies that contaminate practices of thinking and of art. Art has been permeated by an allegorical and sacrificial register, but also documental. Before these visual configurations I keep asking myself: how has a practice like the scenic, that has paid tribute to the body for centuries, been contaminated? How does the scenic art dialogue with this state of the body? How has the theatrical practice been contaminated with this rupture and dissolution of the body?Translated Description (French)
The reality of the body nowadays indicates the emergency of social symptoms and pathologies that contaminate practices of thinking and of art. Art has been permeated by an allegorical and sacrificial register, but also documental. Before these visual configurations I keep asking myself : how has a practice like the scenic, that has paid tribute to the body for centuries, been contaminated ? How does the scenic art dialogue with this state of the body ? Comment la pratique théâtrale a-t-elle été contaminée par cette rupture et cette dissolution du corps ?Translated Description (Spanish)
The reality of the body nowadays indicates the emergency of social symptoms and pathologies that contaminate practices of thinking and of art. Art has been permeated by an allegorical and sacrificial register, but also documental. Before these visual configurations I keep asking myself: how has a practice like the scenic, that has paid tribute to the body for centuries, been contaminated? How does the scenic art dialogue with this state of the body? How has the theatrical practice been contaminated with this rupture and dissolution of the body?Files
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Additional details
Additional titles
- Translated title (Arabic)
- LOS CUERPOS DE LA VIOLENCIA Y SU REPRESENTACIÓN EN EL ARTE
- Translated title (English)
- LOS CUERPOS DE LA VIOLENCIA Y SU REPRESENTACIÓN EN EL ARTE
- Translated title (French)
- LOS CUERPOS DE LA VIOLENCIA Y SU REPRESENTACIÓN EN EL ARTE
- Translated title (Spanish)
- LOS CERVOS DE LA VIOLENCIA Y SU REPRESENTACIÓN EN EL ARTE
Identifiers
- Other
- https://openalex.org/W1828185931
- DOI
- 10.22456/2236-3254.46397