Published July 13, 2016
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La desmaterialización de la historia en la era del archivo (cinematográfico). De Aby Warburg a Jean-Luc Godard
Description
Aby Warburg's Mnemosyne proposes a writing of art history that escaped from chrono-normativities of historiography that crystallized before their eyes. In his atlas, he sought an anachronistic point of view where past and present transform each other to configure what Walter Benjamin could call "constellation". Both Warburgian experience and some cinematographic archives of Jean-Luc Godard pose epistemological problems very contemporary: how configure an archive about the past and how to restore to (visual) documents a place in the historical process? This article explores how the Warburg's method illuminates contemporary productions on the relationship between film and history and how it continues functioning as a matrix to think the dematerialization of the historical discipline.
Translated Descriptions
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This is an automatic machine translation with an accuracy of 90-95%
Translated Description (Arabic)
يقترح Mnemosyne من Aby Warburg كتابة تاريخ الفن الذي هرب من تطبيع التاريخ الزمني الذي تبلور أمام أعينهم. في أطلسه، سعى إلى الحصول على وجهة نظر عفا عليها الزمن حيث يحول الماضي والحاضر بعضهما البعض لتكوين ما يمكن أن يسميه والتر بنيامين "كوكبة". كل من التجربة الواربورغية وبعض المحفوظات السينمائية لجان لوك غودار تطرح مشاكل معرفية معاصرة للغاية: كيفية تكوين أرشيف حول الماضي وكيفية استعادة التوثيق (المرئي) لمكان في العملية التاريخية ؟ يستكشف هذا المقال كيف تضيء طريقة واربورغ الإنتاجات المعاصرة حول العلاقة بين الفيلم والتاريخ وكيف تستمر في العمل كمصفوفة للتفكير في تجريد الانضباط التاريخي من الطابع المادي.Translated Description (English)
Aby Warburg's Mnemosyne proposes a writing of art history that escaped from chrono-normativities of historiography that crystallized before their eyes. In his atlas, he sought an anachronistic point of view where past and present transform each other to configure what Walter Benjamin could call "constellation". Both Warburgian experience and some cinematographic archives of Jean-Luc Godard pose epistemological problems very contemporary: how to configure an archive about the past and how to restore to (visual) documents a place in the historical process? This article explores how the Warburg's method illuminates contemporary productions on the relationship between film and history and how it continues to function as a matrix to think about the dematerialization of the historical discipline.Translated Description (French)
Aby Warburg's Mnemosyne proposes a writing of art history that escaped from chrono-normativities of historiography that crystallized before their eyes. In his atlas, he sought anachronistic point of view where past and present transform each other to configure what Walter Benjamin could call « constellation ». Both Warburgian experience and some cinegraphic archives of Jean-Luc Godard pose epistemological problems very contemporary : how configure an archive about the past and how to restore to (visual) documents a place in the historical process ? This article explores how the Warburg's method illuminates contemporary productions on the relationship between film and history and how it continues functioning as a matrix to think the dématérialization of the historical disciplines.Files
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Additional details
Additional titles
- Translated title (Arabic)
- نزع الطابع المادي عن التاريخ في عصر الأرشيف (السينمائي). من أبي واربورغ إلى جان لوك غودار
- Translated title (English)
- The dematerialization of history in the age of the (cinematic) archive. From Aby Warburg to Jean-Luc Godard
- Translated title (French)
- La dématérialisation de l'histoire à l'ère de l'archivage (cinématographique). De Aby Warburg à Jean-Luc Godard
Identifiers
- Other
- https://openalex.org/W2467602825
- DOI
- 10.19177/rcc.v11e1201629-48
References
- https://openalex.org/W1539851393
- https://openalex.org/W164800416
- https://openalex.org/W2004935406
- https://openalex.org/W652465835